You can purchase this device for $29 right from Ableton’s online store. While we haven’t extensively tested it with a variety of audio sources just yet, it seems like a great addition to the ever-expanding tools Live offers for improvisation and experimentation for “live” electronic music. From there, Live’s master tempo will adjust in real time to the changing tempo of the incoming audio. All you need to do is set up a microphone with a rhythmic audio signal going into Live, have Max for Live opened and BeatSeeker enabled on the track. The device works by “detecting the BPM of any incoming, rhythmic audio signal and matching Live to its tempo”. This device has some really cool tempo-syncing features you can use when performing live.
They are also for live performers and those integrating computers and electronic elements into bands.įirst, meet BeatSeeker by developer Andrew Robertson. Recently, Ableton and Cycling’74 announced some great Max for Live devices you should know about AND some of these devices aren’t just useful for producers. What makes it so awesome is it’s ability to offer custom tools and macros for building a wide variety of devices to manipulate incoming MIDI signals and digital audio. Max for Live is a special version of Max that operates within Ableton Live 9 Suite. If you are an Ableton Live Suite owner, you’ll definitely want to take advantage of the many unique music production and sound design tools Max for Live has to offer! Max, originally developed by Cycling’74 in the late 90’s has since been renowned as one of the world’s leading tools for sound designers, interactive composers and music technologists.
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